Time Capsule

Recently, Ross found some of the "Adolph sessions", which were recorded November 7, 2004 in the big, bad studio at the Auraria campus by the one and only Chris Adolph. I can sort of make out the phantasmal backing vocals on the chorus. Those singers were Marie Litton, Joe Sampson, and "some dude from the DU recording school that was there helping Chris". This is the only existing track, which is complete with studio chatter during the solo (I'll bet that the talk back microphone was left on by accident--this seems to happen a lot). The others aren't complete, and Chris has misplaced the DAT tapes, so they never will be. It sounds pretty nice; I've got a couple of gripes, but no big ones. I'm glad that these recordings surfaced. That wicked Abby Road console sure did sound nice.

Insert The Biggest White-Guy Afro Ever Here.

Damn...that's hilarious.

Or, the so-called "Wall of Sound." Spector changed everything as far as production goes, especially in country (he's better known for the pop stuff). This one has fucking castanets (and hand claps) and great drumming, which I've been totally desiring since the flamenco stuff came about. Glad that chick didn't get shot in the face.



This is one of the songs that I first danced to at a party (for the girl that I paralyzed in fourth grade's birthday party with her older sister and her pretty friends). It has a decent beat, seriously. And...castanets for us lacking the rhythm.

I don't dance, really, but I do move, if I'm moved. I don't even want to shoot women in the face because of the Spector--so much for my Judas Priest lawsuit, right?