This is Great.

I got turned on to this by the morning show on KHOW. They're doing some goofy conspiracy stuff with it. I generally cringe at the mention of God, but a short list of singers can pull it off without turning me off, and Johnny Cash is one of 'em.

I always thought that he wore black because it doesn't show dirt, so it means less dry cleaning. I really dig the Jew's harp. A pretty damn good music video, too:

R.I.P.

I can't dance my way out of a paper sack, but dude could. Dirty Dancing is what introduced me to a lot of old school R&B (a guilty pleasure). From here:

Patrick Swayze Dies at 57
By Michelle Tauber
Originally posted Monday September 14, 2009 08:05 PM EDT

Patrick Swayze lost his battle with pancreatic cancer Monday. He was 57.

"Patrick Swayze passed away peacefully today with family at his side after facing the challenges of his illness for the last 20 months," his rep tells PEOPLE in a statement.

A gifted dancer, a rugged outdoorsman, a romantic leading man and a loving husband, Swayze was also, as his brother Don put it, "a warrior" in his cancer fight.

The actor continued working on his A&E series The Beast even as he underwent chemotherapy – and never lost hope. About his prognosis, he did admit in a Barbara Walters interview that aired in January, "There's a lot of fear here. Yeah, I'm scared. Yeah, I'm angry. Yeah, I'm [asking], 'Why me?' "

A month before, Swayze had issued a statement to PEOPLE in regard to speculation about his health, saying that such questions "cast a negative shadow on the positive and good fight I'm fighting."

Texas Native
One of five children raised in Houston, Texas, by Patsy, a dance teacher, and Jesse, a champion rodeo cowboy, Swayze grew up dancing in his mom's studio and met his future wife, Lisa Niemi, when the two teenagers were both students there.

It was the beginning of one of Hollywood's most enduring romances: Swayze and Niemi, 53, were married 32 years.

Over the years, the couple – both pilots who often flew together and who shared a love of horseback riding and the outdoors – would see Swayze's career take off.

Dirty Dancing and Ghost
After breaking through in 1983's The Outsiders, he secured a spot in movie romance history with iconic turns in 1987's Dirty Dancing and 1990's Ghost. In all his roles, he cited Lisa as an inspiration.

"Lisa and I have built just about every character I've done," he told PEOPLE in 2007. "You have to understand, we have an ease. ... We've been partners for a long time."

It was Lisa who proved a "pillar of strength" during the trying past year, said her brother-in-law Don. United in their focus to overcome the awful odds – pancreatic cancer has just a 5 percent survival rate within five years of diagnosis – the couple maintained a fierce determination.

In fall 2008, he told The New York Times that although chemo had been "hell on wheels," he refused to quit fighting.

"There is probably that little bird that flies through your insides and says, 'I sure would like to make a mark in life,'" he said. "I've made a pretty decent mark so far – nothing to scoff at. But it does make you think: Wait a minute. There's more I want to do. Lots more. Get on with it."

R.I.P.

Long, long, past due. Mauricio Saravia did a lot of paintings that I love. Sad to me that he's gone...even more sad is that it took me two months to notice.

I suck. You are missed, man; truly a beautiful soul. Thank you for populating my computer's desktop with beauty.

R.I.P.

I still think that he was best in Star Trek II.

'Fantasy Island' actor Ricardo Montalban dies at 88

R.I.P.

I know that I lack the punk points to blog this, but it's sad, nonetheless, because dude rocked, and because I love songs with wretched-sounding guitars and jingle bells:

The Stooges guitarist Ron Asheton found dead at 60

By BEN LEUBSDORF – 2 hours ago

DETROIT (AP) — Ron Asheton, the guitarist for the Stooges whose raw sound helped inspire the first generation of punk musicians, has died. He was 60.

Asheton was found at his Ann Arbor home early Tuesday morning by police officers after they were called by an associate who had not heard from him in several days, said city police Sgt. Brad Hill.

There were no signs of foul play, and the death appeared to be of natural causes, Hill said.

Asheton was a founding member of the Stooges, the influential protopunk band formed in Ann Arbor in 1967, along with his brother, Scott.

Lead singer Iggy Pop called Asheton "my best friend" in a statement Tuesday, and the band expressed shock at his death.

"For all that knew him behind the facade of Mr. Cool & Quirky, he was a kind-hearted, genuine, warm person who always believed that people meant well even if they did not," the band said in a written statement. "As a musician Ron was The Guitar God, idol to follow and inspire others. That is how he will be remembered by people who had a great pleasure to work with him, learn from him and share good and bad times with him."

Asheton's powerful, distorted guitar on songs like "I Wanna Be Your Dog" and "T.V. Eye" was a hallmark of the group's sound. His "technically adept but also beautifully raw" style was heavily influenced by free jazz and created "beauty out of noise," said Brian Cogan, a punk-music historian at Molloy College on New York's Long Island.

"He invents the template for punk-rock guitar," Cogan said. "He's the one who allows Johnny Ramone and the guys in the Dictators to play the way they do."

When he was named the 29th greatest guitarist of all time in 2003 by Rolling Stone, the magazine described Asheton as "the Detroit punk who made the Stooges' music reek like a puddle of week-old biker sweat."

After recording three albums in the late 1960s and early 1970s, the Stooges split and Iggy Pop went on to a successful solo career. Asheton played guitar for bands including the New Order, New Race, Destroy All Monsters and Dark Carnival.

In 2003, Asheton reunited with the rest of the Stooges and a new album, "The Weirdness," was released in 2007.

Russ Gibb, who owned Detroit's legendary Grande Ballroom and gave the Stooges their first major show there in 1968, said Asheton was a gentleman in all of their dealings.

"Wherever he is today, it's a better place because he's there," Gibb said Tuesday. "He was a gentleman musician. The musicland that you and I live in has lost something today and wherever musicians go, they're better today because he's there."

Ronald Asheton was born July 17, 1948, in Washington, D.C.

He is survived by his sister Kathy and his brother Scott, who is The Stooges' drummer

R.I.P.

Bettie Page, 1950s pin-up queen, dies in L.A.

Fri Dec 12, 2008 1:13am EST

By Dean Goodman

LOS ANGELES (Reuters) - Bettie Page, one of America's most photographed pin-up girls during the 1950s, died in Los Angeles on Thursday from pneumonia, her agent said. She was 85.

Page was a ubiquitous sight during the 1950s, propelled to stardom when she posed for Playboy as Miss January 1955. Soon her image was gracing playing cards, record albums and bedroom posters across the country.

She stopped modeling in 1957, retreated from the public spotlight and turned to religion. She enjoyed a renaissance of sorts in the 1980s, as a new generation of fans became obsessed with her legacy.

Her agent, Mark Roesler, said Page was admitted to a Los Angeles-area hospital four weeks ago. She never regained consciousness after suffering a heart attack earlier this month.

With her dark bangs, alluring blue-gray eyes and wide smile, Page cultivated an innocent girl-next-door persona. The one-time school teacher was nice, but clearly also naughty. Some of her photos featured spanking and bondage.

"Bettie Page embodied the stereotypical wholesomeness of the Fifties and the hidden sexuality straining beneath the surface," authors Karen Essex and James L. Swanson wrote in their 1996 book "Bettie Page: The Life of a Pin-Up Legend."

Page professed to be mystified by all the attention, saying she never felt particularly attractive and had to wear a lot of makeup to cover up her large pores. After she found God, she was initially ashamed of having posed nude.

"(B)ut now most of the money I've got is because I posed in the nude," she told Playboy last year. "So I'm not ashamed of it now, but I still don't understand it."

Bettie Mae Page was born on April 22, 1923, in Nashville, one of six children. She and two sisters were sent to an orphanage after her father went to jail and her mother could not cope on her own. Page later described her father as "a sex fiend" who started sexually molesting her when she was 13.

Page, armed with an arts degree with Peabody College in Nashville, did her first modeling work in the 1940s after moving to San Francisco with the first of her three husbands. After they divorced in 1947, she pursued modeling in New York. Photos from a shoot with Miami photographer Bunny Yeager ended up in the pages of Playboy.

The layout featured Page winking at the camera wearing only a Santa hat as she decorated a Christmas tree. Playboy founder Hugh Hefner described it as "a milestone in the history of the magazine," which he had founded less than two years earlier.

Later in life, Page was furious that Yeager made a fortune from the photos and never compensated her.

Some American lawmakers were not as impressed with her modeling abilities. Page was served with a subpoena to appear before U.S. Senate investigators trying to discover a link between juvenile delinquency and pornography. Page never appeared. Soon after, she completely disappeared from the scene.

After two other brief marriages failed, Page battled acute schizophrenia beginning in the early 1970s. Her comeback gathered momentum with the 1991 movie "The Rocketeer," based on a comic book where the hero's girlfriend was Page. Fan clubs and websites proliferated, and Page made a good living signing memorabilia at conventions. On the rare occasions that she gave interviews, she insisted that she not be photographed.

Page had no children. There was no immediate information about funeral plans.

(Editing by Eric Walsh)

R.I.P.

I always really liked his drumming a lot. Dig that kick drum!



I recently switched to flats because I love the thumpy goodness on this one. Some pretty cool drumming in there, too. (TSOL did a pretty great cover of this)



From the AP:

Mitch Mitchell, drummer for Hendrix, found dead

By MARY HUDETZ

PORTLAND, Ore. (AP) — Mitch Mitchell, drummer for the legendary Jimi Hendrix Experience of the 1960s and the group's last surviving member, was found dead in his hotel room early Wednesday. He was 61.

Mitchell was a powerful force on the Hendrix band's 1967 debut album "Are You Experienced?" as well as the trio's albums "Electric Ladyland" and "Axis: Bold As Love." He had an explosive drumming style that can be heard in hard-charging songs such as "Fire" and "Manic Depression."

The Englishman had been drumming for the Experience Hendrix Tour, which performed Friday in Portland. It was the last stop on the West Coast part of the tour.

Hendrix died in 1970. Bass player Noel Redding died in 2003.

An employee at Portland's Benson Hotel called police after discovering Mitchell's body.

Erin Patrick, a deputy medical examiner, said Mitchell apparently died of natural causes. An autopsy was planned.

"He was a wonderful man, a brilliant musician and a true friend," said Janie Hendrix, chief executive of the Experience Hendrix Tour and Jimi Hendrix' stepsister. "His role in shaping the sound of the Jimi Hendrix Experience cannot be underestimated."

Bob Merlis, a spokesman for the tour, said Mitchell had stayed in Portland for a four-day vacation and planned to leave Wednesday.

"It was a devastating surprise," Merlis said. "Nobody drummed like he did."

He said he saw Mitchell perform two weeks ago in Los Angeles, and the drummer appeared to be healthy and upbeat.

Merlis said the tour was designed to bring together veteran musicians who had known Hendrix — like Mitchell — and younger artists, such as Grammy-nominated winner Jonny Lang, who have been influenced by him.

Blues-rock guitarist Kenny Wayne Shepherd, who is 31 and was part of the tour, said Mitchell was to the drums what Hendrix was to the guitar.

"Today many of us have lost a dear friend, and the world has lost a rock n' roll hero," he said.

Mitchell was a one-of-a-kind drummer whose "jazz-tinged" style was influenced by Max Roach and Elvin Jones, Merlis said. The work was a vital part of both the Jimi Hendrix Experience in the 1960s and the Experience Hendrix Tour that ended last week, he said.

"If Jimi Hendrix were still alive," Merlis said, "he would have acknowledged that."

During his career Mitchell played with the best in the business — not just Hendrix, but also Eric Clapton, John Lennon, Keith Richards, Jack Bruce, Jeff Beck, Muddy Waters and others.

Mitchell performed with Hendrix and Redding at the Monterey Pop Festival in June 1967, the U.S. debut of the Jimi Hendrix Experience. He also was member of a later version of the band that performed the closing set of the Woodstock Festival in August 1969 — where Hendrix played a psychedelic version of "The Star-Spangled Banner" before the band launched into "Purple Haze."

The Jimi Hendrix Experience was inducted into the Rock Hall of Fame in 1992. According to the Hall of Fame, Mitchell was born July 9, 1947, in Ealing, England.

Terry Stewart, chief executive of the Rock and Roll Hall of Fame and Museum, said Mitchell transformed his instrument from a "strictly percussive element to a lead instrument."

"His interplay with Jimi Hendrix's guitar on songs like 'Fire' is truly amazing," Stewart said Wednesday. "Mitch Mitchell had a massive influence on rock 'n' roll drumming and took it to new heights."

Hendrix, Redding and Mitchell held their first rehearsal in October 1966, according to the Hall of Fame's Web site.

In an interview last month with the Boston Herald, Mitchell said he met Hendrix "in this sleazy little club."

"We did some Chuck Berry and took it from there," Mitchell told the newspaper. "I suppose it worked."

Amazing.

Jeff Healey died in March. I heard this from Nichols, but didn't really look into it at the time. Sure, he's 'cheating' with his thumb, but shit, man, dude was blind. This is a pretty great cover--the bass player is way too into it--it takes some giant balls to cover George Harrison:

R.I.P.

I remember him from this, which is probably lame, but what a fine date movie:



Seriously, though he was a pretty righteous dude, and a freedom fighter, as far as I'm concerned. The following is from here:

George Carlin mourned as counterculture hero

By KEITH ST. CLAIR – 5 hours ago

LOS ANGELES (AP) — Seven Words You Can Never Say on Television. Some People Are Stupid. Stuff. People I Can Do Without.

George Carlin, who died Sunday at 71, leaves behind not only a series of memorable routines, but a legal legacy: His most celebrated monologue, a frantic, informed riff on those infamous seven words, led to a Supreme Court decision on broadcasting offensive language.

The counterculture hero's jokes also targeted things such as misplaced shame, religious hypocrisy and linguistic quirks — why, he once asked, do we drive on a parkway and park on a driveway?

Carlin, who had a history of heart trouble, went into St. John's Health Center in Santa Monica on Sunday afternoon complaining of chest pain and died of heart failure later that evening, said his publicist, Jeff Abraham. He had performed as recently as last weekend at the Orleans Casino and Hotel in Las Vegas.

"He was a genius and I will miss him dearly," Jack Burns, who was the other half of a comedy duo with Carlin in the early 1960s, told The Associated Press.

The actor Ben Stiller called Carlin "a hugely influential force in stand-up comedy. He had an amazing mind, and his humor was brave, and always challenging us to look at ourselves and question our belief systems, while being incredibly entertaining. He was one of the greats."

Carlin constantly breached the accepted boundaries of comedy and language, particularly with his routine on the "Seven Words" — all of which are taboo on broadcast TV to this day.

When he uttered all seven at a show in Milwaukee in 1972, he was arrested on charges of disturbing the peace, freed on $150 bail and exonerated when a Wisconsin judge dismissed the case, saying it was indecent but citing free speech and the lack of any disturbance.

The words were later played on a New York radio station, resulting in a 1978 Supreme Court ruling upholding the government's authority to sanction stations for broadcasting offensive language during hours when children might be listening.

"So my name is a footnote in American legal history, which I'm perversely kind of proud of," he told The Associated Press earlier this year.

Despite his reputation as unapologetically irreverent, Carlin was a television staple through the decades, serving as host of the "Saturday Night Live" debut in 1975 — noting on his Web site that he was "loaded on cocaine all week long" — and appearing some 130 times on "The Tonight Show."

He produced 23 comedy albums, 14 HBO specials, three books, a few TV shows and appeared in several movies, from his own comedy specials to "Bill and Ted's Excellent Adventure" in 1989 — a testament to his range from cerebral satire and cultural commentary to downright silliness (sometimes hitting all points in one stroke).

"Why do they lock gas station bathrooms?" he once mused. "Are they afraid someone will clean them?"

In one of his most famous routines, Carlin railed against euphemisms he said have become so widespread that no one can simply "die."

"'Older' sounds a little better than 'old,' doesn't it?," he said. "Sounds like it might even last a little longer. ... I'm getting old. And it's OK. Because thanks to our fear of death in this country I won't have to die — I'll 'pass away.' Or I'll 'expire,' like a magazine subscription. If it happens in the hospital they'll call it a 'terminal episode.' The insurance company will refer to it as 'negative patient care outcome.' And if it's the result of malpractice they'll say it was a 'therapeutic misadventure.'"

Carlin won four Grammy Awards for best spoken comedy album and was nominated for five Emmys. On Tuesday, it was announced that Carlin was being awarded the 11th annual Mark Twain Prize for American Humor, which will be presented Nov. 10 in Washington and broadcast on PBS.

"Nobody was funnier than George Carlin," said Judd Apatow, director of recent hit comedies such as "Knocked Up" and "The 40-Year-Old Virgin." "I spent half my childhood in my room listening to his records experiencing pure joy. And he was as kind as he was funny."

Carlin started his career on the traditional nightclub circuit in a coat and tie, pairing with Burns to spoof TV game shows, news and movies. Perhaps in spite of the outlaw soul, "George was fairly conservative when I met him," said Burns, describing himself as the more left-leaning of the two. It was a degree of separation that would reverse when they came upon Lenny Bruce, the original shock comic, in the 1960s.

"We were working in Chicago, and we went to see Lenny, and we were both blown away," Burns said, recalling the moment as the beginning of the end for their collaboration (though not their close friendship). "It was an epiphany for George. The comedy we were doing at the time wasn't exactly groundbreaking, and George knew then that he wanted to go in a different direction."

That direction would make Carlin as much a social commentator and philosopher as comedian, a position he would relish through the years.

"The whole problem with this idea of obscenity and indecency, and all of these things — bad language and whatever — it's all caused by one basic thing, and that is: religious superstition," Carlin told the AP in a 2004 interview. "There's an idea that the human body is somehow evil and bad and there are parts of it that are especially evil and bad, and we should be ashamed. Fear, guilt and shame are built into the attitude toward sex and the body. ... It's reflected in these prohibitions and these taboos that we have."

Carlin was born on May 12, 1937, and grew up in the Morningside Heights section of Manhattan, raised by a single mother. After dropping out of school in the ninth grade, he joined the Air Force in 1954. According to his official Web site, which is often tongue-in-cheek, he received three court-martials and numerous disciplinary punishments.

While in the Air Force he started working as an off-base disc jockey at a radio station in Shreveport, La., and after receiving a general discharge in 1957, took an announcing job at WEZE in Boston.

"Fired after three months for driving mobile news van to New York to buy pot," his Web site says.

From there he went on to a job on the night shift as a deejay at a radio station in Fort Worth, Texas. Carlin also worked variety of temporary jobs, including carnival organist and marketing director for a peanut brittle.

In 1960, he left with $300 and Burns, a Texas radio buddy, for Hollywood to pursue a nightclub career as comedy team Burns & Carlin. His first break came just months later when the duo appeared on Jack Paar's "Tonight Show."

Carlin said he hoped to emulate his childhood hero, Danny Kaye, the kindly, rubber-faced comedian who ruled over the decade Carlin grew up in — the 1950s — with a clever but gentle humor reflective of the times.

It didn't work for him, and the pair broke up by 1962.

"I was doing superficial comedy entertaining people who didn't really care: Businessmen, people in nightclubs, conservative people. And I had been doing that for the better part of 10 years when it finally dawned on me that I was in the wrong place doing the wrong things for the wrong people," Carlin reflected recently as he prepared for his 14th HBO special, "It's Bad For Ya."

Eventually Carlin ditched the buttoned-up look for his trademark beard, ponytail and all-black attire.

But even with his decidedly adult-comedy bent, Carlin never lost his childlike sense of mischief, even voicing kid-friendly projects like episodes of the TV show "Thomas the Tank Engine and Friends" and the spacey Volkswagen bus Fillmore in the 2006 Pixar hit "Cars."

Carlin's first wife, Brenda, died in 1997. Survivors include his wife Sally Wade, his daughter, Kelly Carlin McCall, and his brother, Patrick Carlin.

Associated Press writer Christopher Weber contributed to this report.

R.I.P.

I was just talking to someone about Bo Diddley, and the new Gretsch Signature Model (I think that it was probably K and J.F. Nichols). When I was a little boy, it was his guitar that made me realize that shape doesn't really matter with electric guitars (a revolutionary realization). I became familar with his music only after getting way into the Yardbirds' cover of 'I'm A Man" (after learning that Clapton, Beck and Page all did time in that band--'For Your Love', in particular, really turns me on with the drum break). Later, I got into that infectious Diddley shuffle.

A true monster; yet 'nother for the great gig in the sky:

Rock 'n roll legend Bo Diddley dies in Florida
Mon Jun 2, 2008 6:50pm EDT
By Jim Loney

MIAMI (Reuters) - Rock 'n' roll pioneer Bo Diddley, who banged out hit songs powered by the relentless "Bo Diddley beat" that influenced rockers from Buddy Holly to U2, died on Monday at the age of 79.

Diddley died of heart failure at his home in Archer, Florida, his management agency, Talent Consultants International, said in a statement.

"One of the founding fathers of rock 'n' roll has left the building he helped construct," the statement said.

Diddley suffered a stroke during a concert in Iowa in May 2007 and was hospitalized in Omaha, Nebraska. In August 2007 he had a heart attack in Florida.

Garry Mitchell, a grandson of Diddley and one of more than 35 family members at the musician's home when he died at about 1:45 a.m. EDT (0545 GMT), said his death was not unexpected.

"There was a gospel song that was sang and he said 'wow' with a thumbs up," Mitchell told Reuters, when asked to describe the scene at Diddley's deathbed.

"The song was 'Walk Around Heaven' and in his last words he stated that he was going to heaven."

In a career spanning more than five decades, Diddley composed a substantial body of rock classics, including "Who Do You Love," "Bo Diddley," "Bo Diddley's a Gunslinger," "Before You Accuse Me," "Mona," "I'm a Man" and "Pretty Thing."

He cranked them out on a signature rectangular guitar, setting many of them to rumba-like rhythm of his "Bo Diddley beat" that gave rock 'n' roll a powerful rhythmic foundation.

Along with such contemporaries as Chuck Berry and Little Richard, he was among a pioneering group of black recording artists who crossed the American racial divide with music that appealed to white audiences and was emulated by white performers.

Although Diddley recorded relatively few chart-topping hits, his seminal role in the formative years of rock music was recognized by his induction into the Rock and Roll Hall of Fame in 1987 and with a Grammy lifetime achievement award in 1998.

Born Ellas Bates in 1928 in McComb, Mississippi, he took the last name McDaniel from his adoptive mother, and played classical violin as a boy.

He was given the nickname Bo Diddley as a teenager after moving to Chicago, where he started playing music on street corners in the 1940s.

Inspired by blues musician John Lee Hooker's classic "Boogie Chillen," Diddley used his violin skills to craft a guitar sound that laid the basis for the funk music of the 1960s.

He found fame in the mid-1950s with his signature song "Bo Diddley." Even among the first wave of rock music, the song stood out with its tremolo guitar, maracas and trademark beat.

Diddley's unique guitar playing and rhythm influenced generations of rockers from Elvis Presley to Bon Jovi. Keith Richards and Ron Wood of the Rolling Stones and Richie Sambora of Bon Jovi made guest appearances on his records and Diddley played with the likes of The Clash and The Grateful Dead.

Arguably the greatest mainstream success of a song with the Bo Diddley beat was Buddy Holly's "Not Fade Away," recorded in the 1950s and which saw renewed success when it was covered by the Rolling Stones in the 1960s.

In an interview with The Sydney Morning Herald in March 2007, Diddley insisted he was the real father of rock, saying: "Little Richard came two or three years later, along with Elvis Presley. In other words, I was the first dude out there."

Diddley frequently complained about not being paid royalties during his peak years, telling The New York Times, "Have I been ripped off? ... You bet I've been ripped off."

In 1955 Diddley appeared on "The Ed Sullivan Show" and was promptly banned from further appearances because he defied Sullivan's instructions to sing a cover song and instead performed his own hit "Bo Diddley."

Diddley had harsh words for the direction black music had taken in recent years, telling Reuters that "gangsta" rap made his blood boil.

"I hate it. I call it rap-crap," Diddley said in a 1996 interview. "I can't seem to get my records played but they'll play all this garbage."

Diddley liked to help out in his local community in Florida. A father of five, he said he was deeply concerned about the direction of children in American society.

He worked with his local police department to warn teenagers about the dangers of drugs and gang violence.

Diddley was still touring and making records in recent years, not least because he said he needed the money.

His agency said public and private services are planned for this weekend.

----------------
Now playing: Bo Diddley - Bo Diddley

R.I.P. (late)

Thank you, Al. You helped me. Your discovery was helpful to me, and not hurtful in any way. This one has tremendous personal significance to me, friends; from the Houston Chronicle (go Texas!):

Albert Hofmann, 11 January 1006 – 29 April 2008

An Obituary by Dieter A. Hagenbach and Lucius Werthmüller

At the age of 102 years, Albert Hofmann died peacefully last Tuesday morning, 29th April, in his home near Basel, Switzerland. Still last weekend we talked to him, and he expressed his great joy about the blooming plants and the fresh green of the meadows and trees around his house. His vitality and his open mind conducted him until his last breath.

He is reputed to be one of the most important chemists of our times. He is the discoverer of LSD, which he considers, up to date, as both a "wonder drug" and a "problem child". In addition he did pioneering work as a researcher of other psychoactive substances as well as active agents of important medicinal plants and mushrooms. Under the spell of the consciousness-expanding potential of LSD the scientist turned increasingly into a philosopher of nature and a visionary critical of contemporary culture.

Until his death Albert Hofmann remained active. He communicated with colleagues and experts from all over the world, gave interviews, and showed great interest in the world's affairs, although he decided to retire from public life already a few years ago. Nevertheless he welcomed visitors at his home on the Rittimatte, and opened the door for late in the evening.

He managed to keep his almost childlike curiosity for the wonders of nature and creation. In his "paradise," as he would call his home, he enjoyed being close to nature, especially to plants. During one of our last visits he said to us with luminous eyes: "The Rittimatte is my second most important discovery." It was always a unique experience to stroll with him over his meadows and to share his enjoying the living nature all around.
Gratefully and lovingly we grieve for an outstanding scientist, an important philosopher, a dear and true friend, and our member of the board.

Albert Hofmann was born on January 1906 in the quiet small town of Baden, Switzerland, as the eldest one of four children. His father is a toolmaker in a factory where he meets Albert’s mother-to-be; when he falls seriously ill, Albert has to support the family. That’s why he decides for a commercial apprenticeship. At the same time he starts studying Latin and other languages, since he wants to take his A-levels, which he succeeds in at a private school, paid for by a godfather.

In 1926, at the age of twenty, Albert Hofmann begins to study chemistry at the University of Zurich. Four years later he does his doctorate with distinction. Subsequently he works at the Sandoz pharmaceutical-chemical research laboratory in Basel, a company to which he proves his loyalty for more than four uninterrupted decades. (In 1996 Sandoz and Ciba-Geigy merged to become Novartis.) That’s where he mainly works with medicinal plants and mushrooms. He's specifically interested in alkaloids (nitrogen compounds) of ergot, a cereal fungus. In 1938 he isolates the basic component of all therapeutically essential ergot alkaloids, lysergic acid; he mixes it with a series of chemicals. He then tests the effects of the thus derived lysergic acid derivatives as circulatory and respiratory stimulant – among others LSD-25 (Lysergic acid diethylamide). Because the effects observed fell short of expectations, however, the pharmacologists at Sandoz quickly lose interest in it.

Five years later, following a "peculiar presentiment," Albert Hofmann devotes himself again to LSD-25. On 16 April 1943, while synthesizing, he is overcome by unusual sensations – "a remarkable restlessness, combined with a slight dizziness," – which prompt him to interrupt his laboratory work. "At home I lay down and sank into a not unpleasant intoxication like condition, characterized by an extremely stimulated imagination. In a dreamlike state, with eyes closed (I found the daylight too unpleasantly glaring), I perceived an uninterrupted stream of fantastic pictures, extraordinary shapes with intense, kaleidoscopic play of colors. After some two hours this condition faded away."

Three days later, on 19 April 1943, Hofmann sets out for the first voluntary LSD trip in the history of man. Because he cannot yet judge the enormous efficacy of the drug, he takes, at 4:20 pm, with 250 microgram a relatively high dose – and gets to know the hallucinogenic power of the substance with all its intensity.
With his discovery of LSD Albert Hofmann has caused a snowball effect, which turns into an avalanche in no time. It influences the late second millennium – at least in the Western world – to an extent, comparable only to the "pill". Consciousness researchers respectfully spoke of an "atom bomb of the mind."

To worldwide setting-in research Albert Hofmann makes essential contributions. So he is, in 1958, the first one to succeed in isolating the psychoactive substances psilocybin and psilocin from Mexican magic mushrooms (Psilocybe mexicana); in Ololiuqui, the seeds of a climbing plant, he finds substances related to LSD. He isolates and synthesizes substances of important medicinal plants in order to study their effects. His basic research blesses Sandoz with several successful remedies: Hydergine, an effective one in geriatrics, Dihydergot, a circulation- and blood-pressure stabilizing medicament, and Methergine, an active agent applied in gynecology. Hofmann stays with Sandoz until his retirement in 1971, last as head of the research department for natural medicines. From then on he devotes more and more of his time to writing and lecturing. He increasingly wins recognition for his scientific pioneering ventures: he is given honorary doctorates by the ETH Zurich, the Stockholm university, and the Berlin Free University; and he is called into the Nobel Prize Committee.

Here, outstanding contributions to research were honored – but Albert Hofmann's life's work comprises much more. From the start he took a favorable view of efforts by physicians and psychotherapists to include LSD into new approaches for the treatment of manifold chronic diseases. But LSD isn't only useful with special diagnoses – it's Hofmann's firm belief that the "psychedelic" potential of this "wonder drug" could be beneficial to all of us. In LSD-induced altered states of consciousness its discoverer doesn’t only see psychotic delusions of a chemically manipulated mind, but windows to a higher reality – true spiritual experiences during which a normally deeply buried potential of our mind, the heavenly element of creation, our unity with it reveals itself. "The one-sided belief in the scientific view of life is based on a far-reaching misunderstanding," Hofmann says in his book Insight – Outlook. "Certainly, everything it contains is real – but this represents just one half of reality; only its material, quantifiable part. It lacks all those spiritual dimensions which cannot be described in physical or chemical terms; and it’s exactly these which include the most important characteristics of all life."

It’s not the single consumer alone who profits from chemicals which help to understand these aspects of the world; for Hofmann it could help to heal deficits the Western world chronically suffers from: "Materialism, estrangement from nature (...), lack of professional fulfillment in a mechanized, lifeless world of employment, boredom and aimlessness in a rich, saturated society, the missing of a sense-making philosophical fundamentalness of life." Starting from experiences as LSD conveys them, we could "develop a new awareness of reality" which "could become the basis of a spirituality that's not founded on the dogmas of existing religions, but on insights into a higher and profounder sense" – on that we recognize, read, and understand "the revelations of the book which God's finger wrote." When such insights "become established in our collective consciousness, it could arise from that, that scientific research and the previous destroyers of nature – technology and industry – will serve the purpose of changing back our world into what it formerly was: into an earthly Garden of Eden."

With this message the genius chemist turns into a profound philosopher of nature and visionary critical of contemporary culture. The critical distance from the LSD euphoria of the hippie- and flower power-driven ones Albert Hofmann has never given up, however; that he has fathered a "problem child" he already emphasizes with the title of one of his most known works. He always underlines the risks of an uncontrolled intake. On the other hand he never tires of emphasizing what's the basic difference between LSD and most of the other drugs: even if used repeatedly, it doesn't make addictive; it doesn't reduce one's awareness; taken in a normal dose it’s absolutely non-toxic. The total demonizing of psychedelics, as pursued by the mass media, conservative politicians, and governments from the sixties onward, he never could understand; for him, there is no reason why mentally stable persons in the right set and setting shouldn't enjoy LSD. All the more disappointed Albert Hofmann was when, in the late sixties, he had to see it happen that the use of LSD was worldwide criminalized and prohibited – even for therapeutic and research purposes

The impetus for a change emanating from the impact of the international Symposium "LSD – Problem Child and Wonder Drug" in 2006 in Basel, at the occasion of his 100th birthday, quickened him to say that "after this conference my problem child has definitely turned into a wonder child," and he regarded this development as his most beautiful birthday present.

And after just shortly before his 102nd birthday, he enjoyed taking notice that the first LSD study with humans has received the permission from the Federal Office of Public Health in Bern, which he called the "fulfillment of my heart's desire."

His life has become an ideal for many for how we can reach a great age in mental and physical vigor by retaining a childlike curiosity.

Albert Hofmann repeatedly expressed his conviction, that his mystical experiences and his trips into other worlds of consciousness, which he experienced first spontaneously as a child and later during his experiments with psychedelic substances would be the best preparations for the last journey which everybody has to go on at the end of her or his life. He has retained his curiosity for himself for his last journey.

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My Super-Man Is Dead

You were virtually indestructible.

Evel Knievel really made an impression on me when I was quite young with that sky cycle stunt. He was a real super-man to me--breaking everything and coming back for more; striving to be the best in his chosen field.

R.I.P.

I've learned that most of my heroes are horribly flawed people, and I'm okay with that. They still give me something to strive for, even if it's something comparatively LAME, such as:

being kind,
being a great bass player,
being a smart businessman,
a decent driver, a good friend,
an acceptable boyfriend (not doing so well in that role at the moment),
a good son, or even
being a great trash man.

I'm trying my best to be a decent human, and that's really all that I can be.