More Equipment Lust.
I frequently lust for big, beasty (usually old) tube bass amps. It seems like one's always in the shop, though. Check out this beauty. I didn't even know such a thing existed. I've been impressed with Matchless amplifiers for wicked loud wicked tone, even if they're like a ship's anchor. I can't even imagine what 200 watts of Matchless bass amp could sound like. The dude is askin' $4,500. I won't be getting it, but it stokes my jonez for more 200-watt tube bass amps. I really need to find something in a 100-watt machine for BLC. Maybe an Ampeg V4B?
I did pick up a new distortion box that's pretty wild, even if it's totally digi. It's actually a lot
more evil (in a good way) than I thought. I've dialed up a couple presets (it has six available slots) for use this Friday at practice. I found it online and totally had to pick it up because there's nothing else out there that's really innovative--everything's either Rat-based, Muff-based (bad luck with that box; it's being fixed though), or TS-based, it seems. I wanted a clean blend and a noise gate, and I got it. I wanted a flexible eq, and I got it. Programmable and MIDI and morphing and multi-band and foldback and octave was just gravy.
We all know how much I love gravy--just ask my arteries.
I did pick up a new distortion box that's pretty wild, even if it's totally digi. It's actually a lot
more evil (in a good way) than I thought. I've dialed up a couple presets (it has six available slots) for use this Friday at practice. I found it online and totally had to pick it up because there's nothing else out there that's really innovative--everything's either Rat-based, Muff-based (bad luck with that box; it's being fixed though), or TS-based, it seems. I wanted a clean blend and a noise gate, and I got it. I wanted a flexible eq, and I got it. Programmable and MIDI and morphing and multi-band and foldback and octave was just gravy.We all know how much I love gravy--just ask my arteries.
Labels: amplifiers, bass, gear acquisition syndrome

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