i love manic episodes. i can't sleep despite having drank an obsurd amount of vodka. this is ridiculous.
i was checking out the menace to sobriety website to see who else is up there. this is what i come up with on the links page: ANAL CUNT, BATHTUB SHITTER, BITCH BEATER BIBLE, COALITION, DAMIEN STORM, DRAG THE RIVER, Enbilulugugal, EYEHATEGOD, FEAST OR FAMINE, HIRAX, JUDAS WITNESSES, LIBIDO AIRBAG , MICROPHALLUS, Nunwhore Commando 666, Nasty Disaster, Nunslaughter, Raging Retards, Shyshit, Sloth, Soar Throat, The Bitch Project, The Life Partners, The Red Cloud, Thor, Thundra, Upsidedown Cross, Vomit Spawn, Hosted , Raging Retards, Cameltoe, Christina, Destiny.
kerry thinks that it's hilarious that we're on a grindcore label from greeley.
the band views this record as a demo. i think that we're going to have to bite the bullet and chalk this summer's effort up as a learning experience. andrew's work on the black black ocean disc was great. i know that greg is capable of greatness if we can temper his perfectionism. jason and i are all guerilla--stick a mic in front of the amp (in my case DI) and hit record. i'm stoked about trevor. if i need to refer someone to a recordist, he's the man. despite the ghetto setup he has this albini "recordist" philosophy. he's cheap too--not even charging for setup. i don't like taking advantage of such a young kid, but he needs to increase his rate. i hope that he sticks with it--once he becomes an english teacher who knows what will happen.
it's funny that i seem to bond with the person recording us. kerry, andrew, greg, and now trevor? i think that it's just because i spend most of my time looking cool. i wish that i didn't have to do that. i wish that we could just record a live record, or a record, live. that would require the 'studio magic button'. i think that i might just invest in a mobile DAT or a (grr) minidisc and some mics to leave set up at andrew's pad to record practices. we're so fucking good at practice. as long as we're not writing, it's often at practice when the magic happens.
i'm listening to smog. bill callahan is the man. i need to pick up the most recent record. 'dress sexy at my funeral' just isn't sounding as kick ass as it used to. simon and garfunkel, the police, and waylon. i love having the massive mp3 archive. i can get crazy with mixes. i need to get the intelligent crossfading back.
winamp 5 sucks. i had to uninstall it. it's evil, evil, evil shit. still, it's better than 3. that, my droogs, was unusable. currently, at home, i'm using 2.91. at work, i'm using 5. i need to fix that.
i almost wish that paul simon and art garfunkel hadn't done that reunion bullshit. they must be hard up or something. willie was the man with that H & R block ad. "my face is burning!" ha ha ha ha ha. that was fucking funny. willie nelson is a national treasure.
i wonder how devendra is doing? i ought to check the young god site. he's such an amazing young guy. i can't believe how modest he is. thanking red cloud instead of the opener was cheesy, but fuck it.
one of the highlights of this year was getting chewed out by michael gira for my bass rig. i knew that it sucked, and he knew it. like i want to drag the electric grandmother around. i think that this SWR is a nice comprimise. it's cool because i can turn up and get some blur without killing people. i need to feed it more power, though. i ought to get with it and stick one of the tube power amps in it. i hate to see those just sitting in the back of the volvo. 600 watts is enough to make me happy. the 350 i'm running now just isn't as groovy as the 400 that i used to, but i've got the cool lights, man. i ought to just buy a tuner to get the light show.
my boss told me tonight at 6:30 that i didn't need to worry about doing other people's jobs. that was great, but i still feel like it won't get done if i don't do it. i dealt with the expense reports from hell. i still have one left. tony made me leave. i just don't want those mean voice mails.
i love "BATHTUB SHITTER".
i was checking out the menace to sobriety website to see who else is up there. this is what i come up with on the links page: ANAL CUNT, BATHTUB SHITTER, BITCH BEATER BIBLE, COALITION, DAMIEN STORM, DRAG THE RIVER, Enbilulugugal, EYEHATEGOD, FEAST OR FAMINE, HIRAX, JUDAS WITNESSES, LIBIDO AIRBAG , MICROPHALLUS, Nunwhore Commando 666, Nasty Disaster, Nunslaughter, Raging Retards, Shyshit, Sloth, Soar Throat, The Bitch Project, The Life Partners, The Red Cloud, Thor, Thundra, Upsidedown Cross, Vomit Spawn, Hosted , Raging Retards, Cameltoe, Christina, Destiny.
kerry thinks that it's hilarious that we're on a grindcore label from greeley.
the band views this record as a demo. i think that we're going to have to bite the bullet and chalk this summer's effort up as a learning experience. andrew's work on the black black ocean disc was great. i know that greg is capable of greatness if we can temper his perfectionism. jason and i are all guerilla--stick a mic in front of the amp (in my case DI) and hit record. i'm stoked about trevor. if i need to refer someone to a recordist, he's the man. despite the ghetto setup he has this albini "recordist" philosophy. he's cheap too--not even charging for setup. i don't like taking advantage of such a young kid, but he needs to increase his rate. i hope that he sticks with it--once he becomes an english teacher who knows what will happen.
it's funny that i seem to bond with the person recording us. kerry, andrew, greg, and now trevor? i think that it's just because i spend most of my time looking cool. i wish that i didn't have to do that. i wish that we could just record a live record, or a record, live. that would require the 'studio magic button'. i think that i might just invest in a mobile DAT or a (grr) minidisc and some mics to leave set up at andrew's pad to record practices. we're so fucking good at practice. as long as we're not writing, it's often at practice when the magic happens.
i'm listening to smog. bill callahan is the man. i need to pick up the most recent record. 'dress sexy at my funeral' just isn't sounding as kick ass as it used to. simon and garfunkel, the police, and waylon. i love having the massive mp3 archive. i can get crazy with mixes. i need to get the intelligent crossfading back.
winamp 5 sucks. i had to uninstall it. it's evil, evil, evil shit. still, it's better than 3. that, my droogs, was unusable. currently, at home, i'm using 2.91. at work, i'm using 5. i need to fix that.
i almost wish that paul simon and art garfunkel hadn't done that reunion bullshit. they must be hard up or something. willie was the man with that H & R block ad. "my face is burning!" ha ha ha ha ha. that was fucking funny. willie nelson is a national treasure.
i wonder how devendra is doing? i ought to check the young god site. he's such an amazing young guy. i can't believe how modest he is. thanking red cloud instead of the opener was cheesy, but fuck it.
one of the highlights of this year was getting chewed out by michael gira for my bass rig. i knew that it sucked, and he knew it. like i want to drag the electric grandmother around. i think that this SWR is a nice comprimise. it's cool because i can turn up and get some blur without killing people. i need to feed it more power, though. i ought to get with it and stick one of the tube power amps in it. i hate to see those just sitting in the back of the volvo. 600 watts is enough to make me happy. the 350 i'm running now just isn't as groovy as the 400 that i used to, but i've got the cool lights, man. i ought to just buy a tuner to get the light show.
my boss told me tonight at 6:30 that i didn't need to worry about doing other people's jobs. that was great, but i still feel like it won't get done if i don't do it. i dealt with the expense reports from hell. i still have one left. tony made me leave. i just don't want those mean voice mails.
i love "BATHTUB SHITTER".

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